Simply switch off the click and free yourself from the constraints of the bar line.
Especially in software-supported music production, quantization naturally makes it much easier to carry out any editing. Between the grids, however, there is a whole world that remains hidden to many musicians.
The cards for how long a certain chord is held or a note is emphasized are completely reshuffled. The dynamic interplay between the instruments is changing
BPMs no longer exist; only you conduct. This gives the piece a noticeable, personal characteristic.
The “ emotional” component is much more strongly represented.
This helps ambient tracks to develop “natural textures” and it is a particularly good technic to add realism to symphonic libraries.
On a small scale, this effect can also be created in a controlled manner by giving the entire timeline a wild zigzag of continuous speed jumps.
Depending on the genre and speed, +/- 2 to 3 BPM can feel noticeably more natural.